Self-publishing doesn't have to be for me
Sep. 20th, 2011 09:57 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So I'm revisiting the whole decision to self-publish at the moment, for a number of reasons previously discussed. Since June, my indie sales have plummeted and this month I've sold two books so far. That's pretty dismal. Reading about the Kindle Boards, it seems like a lot of people are seeing the same slump, but I don't really find that reassuring so much as depressing.
I already pulled NIGHT AND CHAOS and found a new home for it (I haven't signed the contracts yet, so I won't say much else because... well, there's not much else to say). WILD is probably next. I was determined to stick with self-publishing for the Vargulf Trilogy because WILD has been a tough book to categorise and that's made it a tough sell. It's not quite YA, it's not quite adult, it's not quite a romance but it's not a straight UF. I'd hoped it would find a niche through self-publishing, but I think I lack the marketing muscle to find readers who will love it.
It's currently on submission at two places, and a third has invited me to submit it to one of their lines when they open it for submissions in October. The third place is actually my first choice, so now I'm eagerly counting down to October 1st so I can be all, "hey, remember me?"
I'm glad I tried indie publishing this year but I don't plan to publish any more novels that way for the foreseeable future. Shorter pieces, yes - people are still buying UNGRATEFUL DEAD even though they could have it for free, so that's gratifying. But for me, for now, the future is not indie. I haven't achieved what I wanted to with it, and although I could stick with it and see if the theory of "ebooks are forever so readers will find you" holds true, that's not going to help my career right now.
Instead I want to focus on building on the works I already have out there. I've been pretty unfocused this year writing-wise, because I've spent a lot of time worrying about marketing, promotion, sales figures, and other stuff. Once Night Breed is finished, I'm going back to Shoregrave. I want to finish Halflife by the end of the year and make a start on the next Ethan project, Undertow. I also have plans for a trilogy set in Shoregrave featuring all-new characters.
I'm contracted for two more Urban Wolf books and I'd hope to sign on for more if possible. I want Shoregrave and Urban Wolf to be the focus for the immediate future and since both series already have publishers I'm very happy with, I see no reason not to continue working with them and really building a name for myself. I think I tried to spread myself too thinly this year and I don't need to. 2011 was the year of trying new things. I'd like 2012 to just be the year of Nome.
I already pulled NIGHT AND CHAOS and found a new home for it (I haven't signed the contracts yet, so I won't say much else because... well, there's not much else to say). WILD is probably next. I was determined to stick with self-publishing for the Vargulf Trilogy because WILD has been a tough book to categorise and that's made it a tough sell. It's not quite YA, it's not quite adult, it's not quite a romance but it's not a straight UF. I'd hoped it would find a niche through self-publishing, but I think I lack the marketing muscle to find readers who will love it.
It's currently on submission at two places, and a third has invited me to submit it to one of their lines when they open it for submissions in October. The third place is actually my first choice, so now I'm eagerly counting down to October 1st so I can be all, "hey, remember me?"
I'm glad I tried indie publishing this year but I don't plan to publish any more novels that way for the foreseeable future. Shorter pieces, yes - people are still buying UNGRATEFUL DEAD even though they could have it for free, so that's gratifying. But for me, for now, the future is not indie. I haven't achieved what I wanted to with it, and although I could stick with it and see if the theory of "ebooks are forever so readers will find you" holds true, that's not going to help my career right now.
Instead I want to focus on building on the works I already have out there. I've been pretty unfocused this year writing-wise, because I've spent a lot of time worrying about marketing, promotion, sales figures, and other stuff. Once Night Breed is finished, I'm going back to Shoregrave. I want to finish Halflife by the end of the year and make a start on the next Ethan project, Undertow. I also have plans for a trilogy set in Shoregrave featuring all-new characters.
I'm contracted for two more Urban Wolf books and I'd hope to sign on for more if possible. I want Shoregrave and Urban Wolf to be the focus for the immediate future and since both series already have publishers I'm very happy with, I see no reason not to continue working with them and really building a name for myself. I think I tried to spread myself too thinly this year and I don't need to. 2011 was the year of trying new things. I'd like 2012 to just be the year of Nome.
no subject
on 2011-09-20 03:28 pm (UTC)no subject
on 2011-09-20 03:30 pm (UTC)I'm a bit sad too, especially as I've seen indie publishing work really well for others, but I think it just proves that every writer's journey is different.
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on 2011-09-20 07:11 pm (UTC)And yeah, I look at my brother sometimes, who didn't even graduate high school. He's on his like 4th successful business and is on track to gross 1mil in his second or third year of running it.
I have a J.D. and can't find a job.
Gah :(
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on 2011-09-21 08:23 am (UTC)no subject
on 2011-09-26 11:09 am (UTC)I wish you luck on your contracts and the business end of the book selling. You have talent, that's for sure.
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on 2011-09-26 11:12 am (UTC)no subject
on 2011-09-27 07:00 am (UTC)no subject
on 2011-09-29 10:44 am (UTC)no subject
on 2011-09-29 10:47 am (UTC)If you have a platform and a dedicated fanbase, you'll succeed at selfpublishing. The problem is finding that fanbase. My experience has been that it's easier to get reviews for trad published books (although that is changing) and the support of a publisher can open doors you might not be able to open on your own.
Somewhere down the line, I'd like to self-publish more stuff, but I can't do it well enough alone to make it worthwhile right now. You're right; it's definitely complicated and my life is complicated enough already!
no subject
on 2011-09-29 10:55 am (UTC)But I didn't have to convert my manuscript for kindle or nook, or get it up on Amazon; and there are several other areas in which my publisher helped out a lot, including some good line editing and cover work.
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on 2011-09-29 10:57 am (UTC)This is the clincher for me. I don't really want to have to do those things myself, and good editing is invaluable to me!
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on 2011-09-30 04:42 am (UTC)no subject
on 2011-09-30 08:18 am (UTC)no subject
on 2011-09-30 08:58 am (UTC)